Varga, vowing to send him away to rot in Rikers while she enjoys a fried Snickers bar at the state fair. Varga disagrees, saying his lawyers will pop in any minute and he’ll walk out free as a bird. They wait, we wait, the clock ticks, Beethoven plays. Plus, Hawley talks about Emmit’s years- later taste of “cosmic justice,” delivered by Mr. Wrench; Nikki’s desperation to avenge Ray’s death, which led to her own demise; this season’s Big Lebowski obsession; and Hawley’s recent suggestion that this might be the last episode of Fargo (no!) we ever get to enjoy. TVLINE ? Is this the Fargo version of the classic “glass half- empty/glass half- full” test? I think so. I always joke that Fargo is a tragedy with a happy ending. The movie is that, and I think for our first two years. I guess this season, and this moment in time, I felt from very early on. And when it came time to write the script, I still felt it was the strongest ending. Which is to say, it’s sort of up to you. Do you think it has a happy ending, or do you think it’s just a straight tragedy? Are you an optimist, or a pessimist? It’s some more active engagement that I’m asking you to make with the show, and I know some people won’t like it. It’s not life- or- death, like Tony Soprano. But I am leaving it to you, the audience, to decide, and you do have these options of Rikers and Snickers bars, or . I think it’s important every once in a while to ask the audience to participate in the story you’re telling. TVLINE . She survived, and she’s going to raise her son. But to the degree that there is a thing called justice, is it going to be done? And as with our mythical bowling alley, there’s a difference between human justice and cosmic justice, I guess. It feels like we were looking at that a lot this year. TVLINE . Was that to show how justice can catch up with people like Emmit, even if it’s years later? Yeah, and he did . My feeling is, when you’re saying it’s a true story, the reality is that these cases drag on, and sometimes they go cold for a long time. In drama writing, there’s a gravitational pull to set things in a linear story. I remember from my broadcast days, making a cop show: If you sent a cop home at night to have dinner, everyone would go, “He doesn’t care about the case! Because he’s having a life!” And you have to say, “No, this is just how it goes, people. Life goes on.” . When Nikki found his clothes in the elevator, I actually thought he might’ve vanished in thin air. He didn’t shed his skin or anything. TVLINE ? No, it was always just implied. And I showed you the way out. But we had a scene in the first year where Malvo went down to the basement and Lester came down, and Malvo was gone. Watch The Sopranos - Season 1, Episode 2 - 46 Long: Christopher and Brendan take some initiative in a truck hijacking, but their plan backfires when it angers Uncle. Uproxx's Alan Sepinwall reviews "Dragonstone," the penultimate season premiere of HBO's fantasy epic "Game of Thrones.". The soaring music. Watch The Sopranos - Season 1, Episode 1 - The Sopranos: Tony Soprano, a Capo in the Jersey mafia, begins seeing a therapist because he is stricken by panic attacks. And there was no obvious way out of that basement. So it does raise a certain question of the mystical. Find the latest TV recaps, photos, videos and clips, news and more on MSN TV. Early on, I doubted whether she really cared about him, but she died trying to avenge him. Yeah, certainly, I entertained all options early on in creating the character. And I just couldn’t find myself liking or being that interested in the femme fatale. I think that idea had some traction in the writers’ room, but. I don’t believe you need conflict in everything. I liked this idea that Ray and Nikki are in love, and they have this plan, and their morality’s a little skewed, but he loves her, and she loves him, and she’s the only person in his whole life who ever thought he was the better brother. I think we really love her for that. Therefore, that makes his death more tragic. If she was just playing him, then the death doesn’t mean anything. But if she loved him. But she would have to be willing to say she didn’t love Ray, and she couldn’t do it. And Ray couldn’t do it in the fourth hour, when he was given a way out of his firing. I think the most important thing to both of them is each other. TVLINE . Wrench, who was a character back in Season 1. HBO's official website contains schedule information, original video content, episode guides, polls, bulletin boards, and more! Before we get started, some brief notes on how we’re going to proceed going forward. A fairly large number of you are going to be watching this series for the first. Is he now required to show up in every season of Fargo? No, it’s funny, because I did obviously put a version of him in the second year, which. It just seemed like, in terms of the connections we could have, two years after our first season, he was the only living one. I suppose I could’ve brought Allison ? And I just really loved the idea, and that seventh hour is really kind of a downer: . And then we pull back to reveal Mr. Wrench, and my hope was that there’d be a thrill to it. The drums kick in, and just this feeling of, “Just when you wrote her off? Is she off the show? We’re not gonna have to go to jail with her, are we?” Suddenly, in the last six minutes of that episode, everything changes. TVLINE . Was that your main Coen brothers movie touchstone this season? It was certainly in there. I mean, it’s not my goal to imitate the Coens, but I do feel like the familiarity of those stories can be used to create unexpected moments. There’s something interesting that happens when you find yourself in a bowling alley in the eighth hour of the show, literally with the same exact shot that they use in that movie, and yet rather than the Cowboy and the Dude, it’s a guy who’s bleeding from his ear . My assignment here is to have a dialogue with a pair of filmmakers, and the full scope of what that can be, cinematically and story- wise. The stories that I create, and the amusing references. I’m pushing the boundaries of it every year, because we can’t just repeat ourselves. TVLINE . Did you usually have an idea for the next season by this point of the current one? Yeah, I guess I did. The idea for the second season didn’t really come until the . That first year, I think it sets a benchmark. None of us want to be reading the reviews that say, “This show is a shadow of its former self.” The only reason to do it is if there are stories still to tell, and if you feel like you can make something great. I don’t have another ten hours of story in my mind yet. But I love making this show, and I haven’t yet found another story type that’s as expansive, and allows me to explore this comic crime story at the same time as expansively looking at the human condition, and exploring the big questions of the universe. It’s sort of rare. So one would be a fool to walk away from that opportunity. But at the same time, there’s a certain makeup to the film that’s limiting on some level. It has to be a crime story. There should be a force of goodness and a force of evil, and a moral struggle in the middle. And how many versions of that can you do, doing something original? So all of those issues, I’m struggling with. And I’m doing it actively. But at this exact moment, I don’t know when we would do it, because I don’t have the idea yet. Time to weigh in, Fargo fans: Give the Season 3 finale a grade in our poll, and then hit the comments with your post- finale thoughts. The Sopranos - Season 1, Episode 1: The Sopranos. Tony Soprano, a Capo in the Jersey mafia, begins seeing a therapist because he is stricken by panic attacks. During his session, Dr. Melfi learns of his two conflicted families. Tony is stressed by his unhappy wife, rebellious kids and his demanding mother. On the business side, Tony feels pressure from his willful nephew, while also engaging in a power struggle with his Uncle Junior.
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